![]() Not including his old station wagon, Ross misses a few things about Baltimore: “Baltimore is quieter and more relaxed than New York,” he said. “Eventually I would love to direct live-action movies with special effects,” he said. Although Ross said his director title doesn’t mean he directs anything now, he plans on doing it later. In addition to doing the lighting, Ross is using the company’s new fur technology that generates millions of individual hairs, to groom the creatures in Ice Age 2, due out next March. “But it was an amazing first experience.”īy the summer of 2003, at age 25, Ross had landed a job among 150 other staffers at Blue Sky Studios making movies. The move to New York paid off, and Ross attributes his success in film to a professor who pushed him to make his student film, Rendezvous With Rama, into a live-action short, which ultimately got him his first job working on a film in Hong Kong.Īs the visual-effects supervisor for the movie Touch, directed by Peter Pau, who won an Oscar for the cinematography in Crouching Tiger, Hidden Dragon, Ross followed the crew around China, from the Himalayas in Tibet to the deserts in the north by Mongolia, taking pictures that he pieced together into a digital collage to create scenes that would be too expensive and too dangerous to have the actors perform. But after realizing the university didn’t have a substantial film program, he transferred to New York University’s Tisch School of the Arts to study live-action film and animation. ![]() Ross attended the University of Maryland at College Park in hopes of majoring in film. “So the characters look like what would happen if you took out everything under the hood of your car, and then pieced everything back together.” “The crew went out to junkyards and collected old parts, then kept them on their desks to use as models to draw from,” he said. To capture the textures and details of the scratches, metal and chipped paint that make up the robots’ bodies, the artists used the insides of cars as a reference,” said Ross. ![]() “The detail that audiences will see in Robots is beyond anything they’ve ever seen done in animation before. The detailing that went into creating and animating the robots is the most striking thing about the 90-minute movie, said Ross. ![]() Wedge's acting credits consist almost solely of voicing Scrat, a scrawny character from the "Ice Age" films-the job consists of little more than grunting and squeaking, and task that he's undertaken numerous times, including in the 2012 sequel "Ice Age: Continental Drift." Aside from the original "Ice Age," Wedge's feature directorial work includes the 2005 metal-filled comedy "Robots," and he spent years developing the fittingly named fantasy "Epic.Baltimore Sun eNewspaper Home Page Close Menu The studio has created special effects for a handful of major titles, such as the critically acclaimed martial arts film "Crouching Tiger, Hidden Dragon" and, more importantly, has produced Wedge's feature films, including the extremely popular "Ice Age" prehistoric franchise (and its many spinoffs). The effort paid off, both with an Academy Award (Best Short Film, Animated) and a tremendous amount of industry credibility. The animation was courtesy of Blue Sky Studios, which Wedge co-founded. Early in his career, he showed off his skills as a scene programmer on the 1982 Disney sci-fi classic, "Tron." He subsequently worked primarily as a director of animated shorts and feature films, writing and helming the 1999 animated short "Bunny," a surreal and touching look at death as a transformation. Chris Wedge studied film at the State University of New York at Purchase, earning a BFA, and later studied computer graphics and art education at the Ohio State University, earning an MA.
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